Paper 2 Q5: writing to present a viewpoint

2 guides

Answer on paper first, then reveal the mark scheme one mark at a time.

40 marks · About 45 minutes (5 planning, 35 writing, 5 checking)

Q5 – broadsheet article: should wild places stay wild?

Section B: Writing

Spend about 45 minutes on this section. Plan before you write, use full sentences, and leave a few minutes at the end to check your work.

Question 5 “Wild places should stay wild. Every new car park, café and viewing platform ruins the very landscape that people travel to see.”

Write an article for a broadsheet newspaper in which you explain your point of view on this statement.

(24 marks for content and organisation, 16 marks for technical accuracy) [40 marks]

What is being assessed
  • AO5 (24 marks – content and organisation): communicate clearly, effectively and imaginatively; match tone, style and register to the form, purpose and audience; organise ideas into a cohesive, structured argument.
  • AO6 (16 marks – technical accuracy): use a range of vocabulary and sentence structures for clarity, purpose and effect, with accurate spelling and punctuation.
What examiners reward
  • Clear awareness of FORM (article: headline, optional strapline, engaging opening, paragraphs, strong ending) and AUDIENCE (broadsheet: thoughtful, adult, formal but lively).
  • A clear, sustained viewpoint – which can be nuanced – developed through linked paragraphs.
  • Counter-argument acknowledged and rebutted.
  • Rhetorical methods used with subtlety: anecdote, direct address, rhetorical questions, tricolon, contrast, a memorable ending.
  • Ambitious, precise vocabulary and a wide range of sentence forms and punctuation.
  • Accurate spelling, grammar and sentence boundaries.
LevelMarksWhat it looks like
Content & organisation – Level 419–24Assured and compelling: tone, style and register fit purpose and audience with real confidence; vocabulary is wide, ambitious and precise; ideas are developed and connected fluently, with inventive structural choices and paragraphs shaped for deliberate effect.
Content & organisation – Level 313–18Consistently clear: tone and register suit purpose and audience; vocabulary is chosen for effect; ideas are connected and paragraphs are coherent, with some effective structural features.
Content & organisation – Level 27–12Some success: some awareness of purpose and audience; some vocabulary chosen for effect; some linking of ideas and some use of paragraphs.
Content & organisation – Level 11–6Simple: limited awareness of purpose and audience; simple vocabulary; ideas are listed or loosely linked with limited paragraphing.
Technical accuracy – Level 413–16Sentence boundaries are secure and accurate throughout; a wide range of punctuation is used precisely to shape meaning; sentence types are wide-ranging and deliberate; Standard English and complex grammar are confidently controlled; ambitious words are spelt correctly.
Technical accuracy – Level 39–12Sentence boundaries are mostly secure and accurate; a range of punctuation, mostly used correctly; a variety of sentence types chosen for effect; Standard English is mostly controlled; spelling, including of more complex words, is generally accurate.
Technical accuracy – Level 25–8Sentence boundaries are mostly secure but not always accurate; some control of a range of punctuation; some attempt to vary sentence types; some use of Standard English; some complex words spelt correctly.
Technical accuracy – Level 11–4Sentence boundaries are marked accurately only occasionally; basic punctuation; mostly simple sentences; occasional Standard English; basic words spelt reliably.
How to plan it
  1. Viewpoint: largely agree – development is eroding wild places – but argue for ‘light-touch’ access rather than a total ban.
  2. Headline + strapline.
  3. Opening anecdote: arriving at a remote valley to find a new car park.
  4. Point 1: wildness is valuable precisely because it is unmanaged.
  5. Point 2: development creates more development – the ‘slippery slope’.
  6. Counter-argument: access for families, disabled visitors and local economies – concede, then propose a better solution.
  7. Ending: return to the valley image; a resonant final line.
Show the top-band model answer

Leave the wild alone – or there will be nothing left to visit1
We keep ‘improving’ our last untouched landscapes. It is time to ask who the improvements are really for.

The first time I walked into the valley, there was nothing there. That was the point.2 A thin path, a stream louder than my own thoughts, a buzzard turning slow circles in a sky that seemed to have been made specially for it. I sat on a rock for an hour and did not see another human being.

Last summer I went back. The path has been widened into a gravel track. At its start there is now a car park, a pay machine, a set of laminated signs explaining what I was about to feel, and a kiosk selling coffee in cups that, by evening, were blowing along the stream like pale, plastic leaves3. The buzzard was still there. I am not sure it was pleased to see us.

I want to be careful here, because this argument can quickly become snobbish.4 I am not suggesting that the countryside belongs only to those with the boots, the maps and the free weekdays to reach its furthest corners. But I am suggesting that we have misunderstood what makes a wild place valuable. Its value lies in its wildness – in the absence of convenience. The moment we pave it, sign it and sell it, we have not made it more accessible; we have replaced it with something else.

Consider how development works. Nobody sets out to ruin a landscape. A car park is built because the verges were being churned up by parked cars. Then the car park needs toilets. The toilets need a building; the building may as well have a café; the café needs more parking. Each step is reasonable. Together, they are a slow, polite act of destruction.5 Ask anyone who remembers a cove or a hilltop before it was ‘discovered’, and they will tell you the same story.

Of course, there is another side.6 Rural communities need visitors, and visitors spend money. Families with young children, older walkers and disabled people have every right to experience these places too, and a well-made path may be the difference between seeing a view and only hearing about it. These are serious points, and I do not dismiss them.

But the answer is not a choice between a theme park and a locked gate. It is restraint. Put the car parks and cafés in the villages, where they support local businesses, and run shuttle buses to the edge of the wild. Build paths that are accessible but modest – made of local stone, not tarmac. Keep signs at the gateway, not on every rock. Let some places be easy to reach and others, deliberately, remain hard. Not every view needs a viewing platform; some of them need us to earn them.

We are lucky to live on islands that still contain pockets of genuine wilderness. They are not infinite, and once they are gone, no amount of investment will bring them back. You cannot build wildness. You can only leave it alone.7

So the next time a planning notice appears on a gate promising ‘improved visitor facilities’, ask a simple question: improved for whom? The buzzard, I suspect, already has an answer.8

1. Headline and strapline show immediate awareness of article form and a clear viewpoint.
2. Anecdotal opening hooks the reader; the short second sentence delivers a surprising twist.
3. Precise, vivid imagery in non-fiction – a contrast between natural and artificial that makes the argument felt, not just stated.
4. Self-aware, mature voice that anticipates objections – builds credibility with a broadsheet audience.
5. Contrasting short sentences and an oxymoronic phrase make the key argument memorable.
6. Counter-argument signposted and treated fairly before rebuttal – shows a sophisticated, balanced viewpoint.
7. Parallel structure creates an aphoristic line – the sort of crafted rhetoric that earns top-band AO5 marks.
8. Cyclical ending returns to the opening anecdote with a wry final touch.
Where marks are usually lost
  • Ignoring the form – no headline, or writing as a speech (‘Ladies and gentlemen…’) when an article is asked for.
  • Inventing wildly implausible statistics (‘99.9% of experts agree…’) – these weaken credibility.
  • A rant with no counter-argument, which limits the sophistication of the viewpoint.
  • Over-loading every paragraph with rhetorical questions and exclamation marks.
  • Too informal for a broadsheet (slang, text-speak), or so formal it becomes lifeless.
  • Not leaving time to proofread – AO6 is worth 16 marks.
40 marks · About 45 minutes (5 planning, 35 writing, 5 checking)

Q5 – debate speech: should every teenager have a part-time job?

Section B: Writing

Spend about 45 minutes on this section. Plan before you write, use full sentences, and leave a few minutes at the end to check your work.

Question 5 “Every teenager should have a part-time job. It teaches lessons that school never can.”

Write a speech for a school debate in which you argue for or against this statement.

(24 marks for content and organisation, 16 marks for technical accuracy) [40 marks]

What is being assessed
  • AO5 (24 marks – content and organisation): communicate clearly, effectively and imaginatively; match tone, style and register to the form, purpose and audience; organise ideas into a cohesive, structured argument.
  • AO6 (16 marks – technical accuracy): use a range of vocabulary and sentence structures for clarity, purpose and effect, with accurate spelling and punctuation.
What examiners reward
  • Clear awareness of a spoken form: direct address to the audience, signposting, rhetorical patterning, a strong opening and closing.
  • A precise, controlled viewpoint – here, challenging the word ‘every’ rather than opposing work altogether.
  • Counter-arguments acknowledged and rebutted with logic and examples.
  • Register suited to a school debate: confident, persuasive, respectful of opponents.
  • Varied sentence forms and punctuation to create rhythm and emphasis.
  • Accurate spelling, punctuation and grammar.
LevelMarksWhat it looks like
Content & organisation – Level 419–24Assured and compelling: tone, style and register fit purpose and audience with real confidence; vocabulary is wide, ambitious and precise; ideas are developed and connected fluently, with inventive structural choices and paragraphs shaped for deliberate effect.
Content & organisation – Level 313–18Consistently clear: tone and register suit purpose and audience; vocabulary is chosen for effect; ideas are connected and paragraphs are coherent, with some effective structural features.
Content & organisation – Level 27–12Some success: some awareness of purpose and audience; some vocabulary chosen for effect; some linking of ideas and some use of paragraphs.
Content & organisation – Level 11–6Simple: limited awareness of purpose and audience; simple vocabulary; ideas are listed or loosely linked with limited paragraphing.
Technical accuracy – Level 413–16Sentence boundaries are secure and accurate throughout; a wide range of punctuation is used precisely to shape meaning; sentence types are wide-ranging and deliberate; Standard English and complex grammar are confidently controlled; ambitious words are spelt correctly.
Technical accuracy – Level 39–12Sentence boundaries are mostly secure and accurate; a range of punctuation, mostly used correctly; a variety of sentence types chosen for effect; Standard English is mostly controlled; spelling, including of more complex words, is generally accurate.
Technical accuracy – Level 25–8Sentence boundaries are mostly secure but not always accurate; some control of a range of punctuation; some attempt to vary sentence types; some use of Standard English; some complex words spelt correctly.
Technical accuracy – Level 11–4Sentence boundaries are marked accurately only occasionally; basic punctuation; mostly simple sentences; occasional Standard English; basic words spelt reliably.
How to plan it
  1. Viewpoint: AGAINST the statement as worded – jobs can be valuable, but they should be a choice, not an expectation.
  2. Opening: address the audience, concede the appeal of the idea, then target the word ‘every’.
  3. Point 1: teenagers’ time is already full – exams, caring responsibilities, sport, rest.
  4. Point 2: inequality – not everyone can access jobs; making them an expectation punishes some students.
  5. Point 3: ‘lessons school never can’ – rebut: many of those lessons come from clubs, volunteering, family responsibilities.
  6. Counter-argument: independence and money – concede and reframe.
  7. Ending: memorable call to vote, echo the opening.
Show the top-band model answer

Good afternoon, Chair, members of the opposing team, and everyone listening.1

I have a confession to make.2 I have a part-time job. Every Sunday I stack shelves in a supermarket, and I have learned a great deal from it: how to deal with a customer who is convinced the price on the shelf is a conspiracy, how to stay polite at the end of a long shift, and exactly how heavy a crate of tinned tomatoes is. So you might expect me to support this motion. I do not. Because the problem with this statement is one small, dangerous word3: every.

Let us start with time. A teenager’s week is not an empty diary waiting to be filled. It is already crowded with lessons, homework, revision, sport, music, friendships, and – for many students in this room – responsibilities that nobody sees. Some of you look after younger brothers and sisters. Some of you care for a parent.4 Some of you are training six mornings a week for a sport you love. Are we really going to tell these students that they are missing out on ‘life lessons’ because they do not also fold jumpers on a Saturday?

Then there is the question of fairness. Jobs are not handed out equally. A student in a busy town centre may find work in a week; a student in a small village with one bus an hour may never find any at all. If we start treating a part-time job as something every teenager should have, we turn an opportunity into an expectation – and expectations have a habit of becoming judgements. The students who cannot work will be made to feel they have failed a test they were never allowed to sit5.

My opponents will say6 that work teaches independence, responsibility and the value of money. They are right – it can. But so can a Duke of Edinburgh expedition in the pouring rain. So can captaining a team, volunteering at a food bank, running a school club, or helping to run a household. The lessons the motion celebrates are not locked inside a stockroom. They are available wherever young people are trusted with something that matters.

And let us be honest about the claim that work ‘teaches lessons that school never can’. School is where many of us first learn to meet a deadline, to work with people we did not choose, to recover from failure and try again. To suggest that a till teaches more than a classroom is not just unfair to our teachers; it is unfair to us, because it implies that what we do here every day does not count.

I am not asking you to vote against work. I am asking you to vote for choice.7 Let the teenagers who want a job, and who can manage one, go and get one – and let us celebrate them. But let us not pretend that the students who are revising, caring, training or simply resting are somehow less prepared for life.

I will be stacking shelves again on Sunday. I chose that.8 And that, members of the audience, is exactly the point: it should always be a choice. Please vote against the motion.

1. Correct conventions for a debate speech – immediate awareness of form and audience.
2. Personal anecdote builds credibility: the speaker has a job but still opposes the motion, which makes the argument more persuasive.
3. Narrows the argument to a precise target – a sophisticated, controlled viewpoint.
4. Anaphora and direct address make the audience see themselves in the argument.
5. Extended metaphor that fits the school audience – inventive and apt.
6. Signposted counter-argument, conceded (‘They are right – it can.’) and then rebutted with alternatives.
7. Parallel structure reframes the debate memorably near the end.
8. Cyclical ending returns to the opening anecdote and lands the key idea.
Where marks are usually lost
  • Forgetting the spoken form – no address to the audience and no sense of a live listener.
  • Being rude to opponents or the audience, which undermines a persuasive register.
  • Listing techniques mechanically (a rhetorical question in every paragraph, ‘DAFOREST’ by numbers).
  • One-sided arguments with no counter-argument; or so balanced that no clear viewpoint emerges.
  • Running out of time before the conclusion – plan an ending first.
  • Comma splices and missing apostrophes (teenager’s / teenagers’) – costly AO6 errors.

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